Audiovisual duo, Sculpture, aka musician Dan Hayhurst & visual artist/animator Reuben Sutherland, explore temporary states of digital/physical recomposition, device misuse, comic strips, video art & multisensory perception.
Utilizing a chaotic library of zoetropic prints, Sutherland’s visual turntablism combines pre-cinema imaging with cutting-edge digital techniques in hallucinatory loops and cut ups. There’s a clear connection with Hayhurst’s volatile electronic music forms, free associations pursuing an obscure logic.
Sculpture have released audible and visible media on labels including Software, Kaleidoscope, Dekorder, Psyché Tropes, Ana Ott and Digitalis plus the duo’s own imprint, Plastic Infinite.
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CLOT Magazine – Heavy Rotation: The Cyclical World of Sculpture
MUTEK Montreal 2017 review
Sculpture Talks About Turning ’50s Tape Recordings Into Electronic Music And How To Be A Real Audio-Visual Project – The Creators Project
Ableton feature – Input / Output
Sculpture interview – The Quietus
Dan Hayhurst interview – The Quietus
Resonate Festival live review – The Quietus
Membrane Pop LP review – Tiny Mix Tapes
Membrane Pop LP review – Pitchfork
Toad Blinker LP review – The Sound Projector